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Shane Denson and Julia Leyda.

Reframe Books, more. View on reframe. Aber die Konjunktur des Kurzen und Knappen setzte lange vor dem Aber die Konjunktur des Kurzen und Knappen setzte lange vor dem digitalen Zeitalter ein. Dabei zeigt sich, dass die Karriere der kleinen Formen eng mit kulturellen Errungenschaften des Einerseits wird verdichtet und zugespitzt, andererseits skizziert, angedeutet und fragmentiert.

Synonyms and antonyms of Computerwurm in the German dictionary of synonyms

Das suggeriert zum einen Punktgenauigkeit und Exaktheit — das letzte Wort zum Thema. Mediengeschichte , Medienwissenschaft , Wissenschaftsgeschichte , Literaturwissenschaft , and Kommunikationsgeschichte. View on engsem. Der Fokus liegt auf More Info: Co-authored with Ruth Mayer.

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View on diaphanes. Frank Kelleter. By The paper argues that the narratives around the figure aim to chart paths through the maze that is the modern experience, rehearsing their audiences in coping manners rather than pulling them into the web of terror that is laid out diegetically. View on modernismmodernity.

Doerte Bischoff und Susanne Komfort-Hein. Berlin: De Gruyter, erscheint This paper explores the processes of serial narration in view of the serial enactment of Fu Manchu. Its contention is that seriality is a principle rather than a technique and that this principle cannot be deduced to one author, author Its contention is that seriality is a principle rather than a technique and that this principle cannot be deduced to one author, author collective, or instigator. The Fu Manchu narratives lend themselves to an investigation of the principle of seriality because they vent the serial logic of expansion, excrescence, and spread both on a thematical and a formal level and tightly interweave structural and ideological functions.

In consequence, the narratives have to be seen as serial performances or enactments, rather than representations, of the yellow peril theme. They do not so much express politico-social fears and cultural anxieties from the vantage point of an author or individual text, but work as engines in the serial machinery which generates and spreads ideological certainties. Julia Reuter und Paul Mecheril. Wiesbaden: Springer VS, Publication Name: Total.

Universalismus und Partikularismus in postkolonialer Medientheorie. Ulrike Bergermann und Nanna Heidenreich. Heidelberg: Winter Verlag, Serielle Figuren im Medienwechsel. More Info: With Shane Denson. Frank Kelleter, Bielefeld: transcript, , This paper explores the workings of popular seriality with respect to the evolution of an ideologically fraught serial figure — Fu Manchu. It focuses on the function of iconicity in this context, taking its point of departure from the It focuses on the function of iconicity in this context, taking its point of departure from the pre-Code film The Mask of Fu Manchu of The film features Boris Karloff in the title role and forges Fu Manchu's iconic image several decades after the figure's literary inception and ensuing cross-medial gestation.

The paper will investigate the interrelated processes of serialization and iconization by probing the film's 'image power' - its employment of intense visual arrangements and melodramatic tableaux which explode the individual film's diegesis, yet figure as instances of serial concatenation. To illustrate the serial dynamics of this development, the paper will finally turn to the popular film serial Drums of Fu Manchu , which improvised freely on the film of , drawing heavily not only on the plotline mapped out almost ten years before, but also on the film's suspense management and narrative structure.

Combining various approaches to seriality and the serial, ranging from popular culture studies, semiotics, film studies, to political theory, the paper argues that powerful ideological figurations such as the imagery of the yellow peril are serial in nature.

More Info: Screen Winter , View on screen. Serielle Figuren und der Fernseher. This paper explores the logic and aesthetics of seriality in its close conjunction with the structures of media modernity. It starts from the observation that to a substantial extent modern popular culture is serial culture. Its contention is that an investigation of the operative principles of popular seriality and their larger ideological parameters requires a set of instruments which are missing from the toolbox of popular culture studies.

In consequence, it draws on theories of seriality which were formulated in the realm of political philosophy and social theory, by critics as diverse as Benedict Anderson or Jean-Paul Sartre, in order to discuss processes of ideological meaning-making and community formation in their serial dimension. The paper takes note of the fact that the expansive momentum of serial fiction is fueled by the resources of political, economic, and medial expansion, which were first developed in the nineteenth and then ramped up in the twentieth century.

This interlinkage is not conceptualized in terms of a mere analogy, however, but rather understood as a relation of mutual mapping: a relation of reciprocity and cross-fertilization. They rather need to be seen as engines, as driving forces of the cycles of production and dissemination which inform the late capitalist ideologies of the modern industrial and media societies. More Info: Pop. Kultur und Kritik I:1 , Pop. Kultur und Kritik I:1 , Heidelberg: Winter, Ein exilischer Diskurs soll im engen Bezug auf die Jahrhundert herausgearbeitet werden.

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More Info: forthcoming in: Literatur und Exil. Neue Perspektiven. Das kann der Entleiher aber endlos fortsetzen. Randbelegschaft sichert Stammbelegschaft. Das sieht man in jeder Krise. Damit hat sich die Zahl seit dem Jahr beinahe vervierfacht.

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Jens Helmecke Leserkommentare 0 Kommentar schreiben. Aus der Rubrik. Umstrukturierung Was sich die Deutsche Bank vom radikalen Umbau erhofft. Aufsichtsrat Konzernumbau: Deutsche Bank streicht Energiewende Industrieallianz fordert Sicherheit bei Stromversorgung. Digitalisierung Unternehmer kritisieren Politik: Digital passiert nicht viel. Klar ist auch, dass die meisten Leiharbeitnehmer gar keine neun Monate bei einem Entleiher bleiben, also nicht profitieren werden.

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Das kann der Entleiher aber endlos fortsetzen. Randbelegschaft sichert Stammbelegschaft. Das sieht man in jeder Krise.

Damit hat sich die Zahl seit dem Jahr beinahe vervierfacht. Jens Helmecke Leserkommentare 0 Kommentar schreiben. Aus der Rubrik. Umstrukturierung Was sich die Deutsche Bank vom radikalen Umbau erhofft. Aufsichtsrat Konzernumbau: Deutsche Bank streicht